An amazing musical. The 2002 version with Mate Kamaras as Der Tod is my favorite.
No matter how fiercely you reject me, one day you’ll seek me out
I’ve written before about Elisabeth, my favorite musical when I saw it at the Imperial Theatre in Sept. 2010. That review was primarily a review of that run of the show and its actors since Elisabeth is an incredibly dense work with 20 years’ and multiple countries’ worth of shows; I’m convinced one could write several dissertations on any of the facets of the show, which is why I love it: it provides both the pleasure of consuming and the pleasure of producing analyses.
This year, I decided again to travel to Tokyo to see the 2012 Toho run show because, in addition to the excellent Sena Jun reprising her role as Elisabeth in a double cast with Haruno Sumire (my first Takarazuka love!), Toho brought on Hungarian actor Máté Kamarás for the…
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